|   Federico
                                                                                        Stibbert (1838-1906),
                                                                                        the collector who
                                                                                        lived in the villa
                                                                                        on the hill of
                                                                                        Montughi, belonged
                                                                                        to the refined
                                                                                        world of writers
                                                                                        and men of letters,
                                                                                        English art amateurs
                                                                                        and others who
                                                                                        entered the life
                                                                                        of Florence during
                                                                                        the 19th century.
                                                                                        When the original
                                                                                        villa became too
                                                                                        small for the collections
                                                                                        that Stibbert kept
                                                                                        with great passion,
                                                                                        probably already
                                                                                        thinking of a museum,
                                                                                        various additions
                                                                                        were made by famous
                                                                                        artists like the
                                                                                        architect Giuseppe
                                                                                        Poggi, the painter
                                                                                        Gaetano Bianchi,
                                                                                        the sculptor Passaglia,
                                                                                        who contributed
                                                                                        to the present
                                                                                        day appearance
                                                                                        of one of the most
                                                                                        precious examples
                                                                                        of 19th century
                                                                                        museums. Even the
                                                                                        vast park surrounding
                                                                                        the villa was reorganised
                                                                                        with a new final
                                                                                        arrangement that
                                                                                        renders it one of the most beautiful
                                                                                        gardens in Florence.
 In 1906 the collection
                                                                                        passed to the Municipal
                                                                                        Administration.
                                                                                        Today, the museum
                                                                                        comprises 10 rooms
                                                                                        to exhibit the
                                                                                        wide-ranging collections
                                                                                        of Stibbert, often
                                                                                        from the most varying
                                                                                        origins. The furniture
                                                                                        itself includes
                                                                                        very valuable pieces
                                                                                        of furniture like
                                                                                        many chests dating
                                                                                        back to the 15th
                                                                                        century, others
                                                                                        of Lombard origin
                                                                                        from the 18th century,
                                                                                        in addition to
                                                                                        an extraordinary
                                                                                        table in malachite
                                                                                        originating from
                                                                                        Demidoff. One of
                                                                                        the most typical
                                                                                        aspects of the
                                                                                        villa is that most
                                                                                        of the wall drawings
                                                                                        are in leather.
 
 The rooms crowded
                                                                                        with very sumptuous
                                                                                        objects also display
                                                                                        several paintings,
                                                                                        again reflecting
                                                                                        the taste of a collector
                                                                                        who did not seem
                                                                                        to appreciate the
                                                                                        primitives and preferred
                                                                                        to them Dutch painting
                                                                                        and still lives.
                                                                                        The museum also includes
                                                                                        a very lavish group
                                                                                        of portraits belonging
                                                                                        to different ages.
 
 Another important group of works is represented by the porcelains and majolicas, produced in the most important Italian and foreign manufactories. This museum however owes its reputation to its collection of arms and suits of armours that comprises an incredible number of varying and rare pieces ranging from the 15th to the 17th centuries. The vast majority of arms are European, although there are also Oriental, Persian, Indian and Islamic examples. A particularly suggestive view is offered by the parade of horses and riders fully equipped to represent the Italian, German and Islamic arms and suits of armours belonging to the 16th and 17th centuries.
 
 The museum also displays a very important group of Japanese arms, with dozens of suits of arms and hundreds of swords, which constitutes the largest collection of this kind outside of Japan.
 
 
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