The Palace, built by the Davizzi family around mid-14th century, was purchased in 1578 by the Davanzati family (their coat of arms is still visible on the facade) and remained in their possession until 1838, when it was divided into several flats and suffered severe damage.
In 1904 it was purchased and restored by the antique dealer Elia Volpi, who entirely furnished it and opened it to the public in 1910 as Museum of the Old Florentine House. After alternate events, which comprised also the dispersion of the furniture pieces, the palace was purchased in 1951 by the State that reorganised it and opened it once more to the public in 1956.
Its most important feature is the architectural structure that represents an interesting example of 13th century home showing the transition stage from the medieval tower house to the Renaissance building. The original facade was decorated with a three-arch loggia, now closed that was once open and used as a shop. A 16th century loggia replaces the usual medieval battlements at the top of the building.
The interior,
which also has an underground
gallery, has a suggestive
courtyard on the ground floor
that gives access to the
stone and wood staircase
with rampant arches leading
up to the four upper floors.
The arrangement of the building
shows that the rooms of the
first floor have the same
layout of those on the third
floor. Rooms are articulated
in a "madornale",
that is a large audience
hall, dining rooms, bedrooms
and "agiamenti" (toilets),
a rarity in elegant houses
of the period. All the rooms
have floors in cotto and
ceilings in wood, some of
which decorated with paintings.
The walls of some of the
rooms are decorated with
frescoes and decorations
that are quite popular in
Florentine 13th century homes,
representing curtains and
coat of arms. The most beautiful
rooms are the Sala dei Pappagalli
(The Parrot Room) and the
Bedroom with scenes of the
life of the Lady of Vergi.
The present
arrangement of the Museum
aims at reconstructing the
setting of an old Florentine
home, with furniture and
household tools from the
14th to the 19th centuries.
Bedrooms display for instance
chests full of linen and
cots, while the audience
hall on the first floor exhibits
a rare painted cabinet, created
by a Siennese artist of the
16th century, and the wooden
painting showing The Game
of Civettino by Giovanni
di Ser Giovanni nicknamed "Scheggia" dating
back to the 15th century
and the marble bust of a
Child by Antonio Rossellino,
also dating back to the 15th
century. The museum also
preserves a very fine collection
of old ceramics and the 17th
century hand warmers in the
shape of shoes.
A very important document in the story of the family and palace is the Genealogical tree of the Davanzati Family, a work by an anonymous Tuscan painter of the 17th century. The State has recently purchased a rare wooden chest or throne-bed" with inlaid front and headboard, rnanufactured in the Tuscan-Umbran area during the last quarter of the 15th century.
The kitchen on third floor exhibits furniture and ordinaly daily household, together with working tools, like looms, warping machines and spinning wheels that document some of the activities carried out in the house.
The Museum also displays a very fine collection of lacework ranging from the 16th to the 20th centuries and samplers.
MEDIEVAL SOAP OPERA:
THE STORY OF THE CHATELAINE OF VIERGY
The adventures of the Burgundy Chatelaine and of William Cavalier (the Knight), their thwarted love, the jaleous and cruel love of the "Duchess of Burgundy" quickly enteres all foreign literatures. The story of the Dame de Virgy was translated in English, German, Dutch but it was in Italy that became incredibly famous.
THE STORY
The Duke of Burgundy goes
hunting and his wife the
Duchess invites to the castle
William Cavalier for palying
chess. She tries to seduce
him but in vain because he
is secretly in love with
the Chatelaine de Virgy.
The Duchess, refused by the
young knight, is very offended
and when her husband comes
back she accuses the knight
of having tried to seduce
her. The Duke convenes William
who, to prove his innocence,
invites him to observe them
when alone with the Duchess
and pretends to be in love
with her.
The very angry Duke would like to punish his wife but she not only manages to calm him down, going to bed with him (you actually see the topless Duchess in bed with him!) but she even manages to be told whom William is in love with!
The wicked woman organises a big party for all the very important people of the region and during it she tells everyone that the Chatelaine and William Cavalier are lovers.
For shame the Chatelaine kills herself with a sword. William does the same, seeing his beloved dead and the Duke punishes the Duchess slashing her throat.
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