|   The Cloister
                                                                              of the Scalzo was the entrance
                                                                              of a cloister of the Confraternity
                                                                              of St. John the Baptist,
                                                                              The building designed for
                                                                              the Confraternity, founded
                                                                              in 1376 and called "dello
                                                                              Scalzo" because
                                                                              the cross-bearers in
                                                                              the Confraternity's processions
                                                                              was barefooted.
 The Brotherhood
                                                                            was suppressed in 1785 by
                                                                            Pietro Leopoldo of Lorraine,
                                                                            who sold off their property
                                                                            with the exception of the
                                                                            cloister containing sixteen
                                                                            frescoes in chiaroscuro,
                                                                            showing episodes of the Life
                                                                            of St. John the Baptist,
                                                                            painted by Andrea Del Sarto
                                                                            (1486-1530) (only two of
                                                                            the scenes were painted by
                                                                            Franciabigio (1482-1525),
                                                                            while Andrea was in Paris
                                                                            in 1518,called by the king of France
                                                                            François the first).
 Painted between 1514 and 1524, the frescoes represent an extraordinary example of stylistic and technical perfection in the art of a Master, who played an important role in the complex artistic events of Florence at the beginning of the 16th century.He played also a role now recognized as fundamental to the developement of Mannerism.
 
 
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